Most portfolio hosts want JPEGs. You shoot RAW.
ArtInStack is built for the workflow serious photographers already use: drop the master file in the cloud, keep working, and let the platform catch up in the background. No export queue on your desktop. No sidecar spreadsheets. No “good enough” sRGB surrogates pretending to be your archive.
What shipped
Master in the library, speed in the UI
RAW files land in your media library with the original preserved in storage. A background pipeline generates web-ready previews so grids, search, and delivery views stay fast even when your masters are large.
EXIF that actually powers the product
Camera, lens, exposure, and dimensions are extracted automatically and stored with the asset. That metadata feeds search, detail pages, and dynamic galleries without retyping specs by hand.
Map-ready when GPS is in the file
If coordinates are embedded in the RAW metadata, they flow into your asset record. Impact maps, location-aware galleries, and geotagged delivery get cleaner data with less manual cleanup.
Why it matters
If you shoot volume, the tax is never capture. It is ingest: exports, renaming, tagging, backup, upload. RAW-native ingest means your host is also your working archive, not just a JPEG slideshow.
Studios standardize here because:
- One upload replaces a desktop preflight ritual before the web ever sees the work
- Detail pages can reflect real capture data, not whatever you remembered to type
- Client delivery can draw from the same library pool you already trust in production
Built for professional volume
This is infrastructure for photographers who measure libraries in thousands of frames, not dozens of phone snaps. Storage still counts against your plan (see pricing), but the pipeline is part of the platform: upload RAW, get a production-ready asset.
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Shipped March 12, 2026.